In The White Room

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After putting the work safely in their car, the couple then went for tea at Leaf in Bold Street, where coincidentally they were sat next to KLF member Jimmy Cauty. Shade, Chris (2006). "The KLF: The White Room". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p.672. ISBN 978-0-7893-1371-3. Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown. ARIA Charts – Accreditations – 1991 Albums" (PDF). Australian Recording Industry Association . Retrieved 27 November 2021. The first of their Stadium House Trilogy, it is an edit of this Live At Trancentral mix that appears on the album. The single was their first hit under the KLF moniker and reached No.5 in the UK in July 1990.

Cauty, Cressida (August 1989). "KLF Info Sheet 6". KLF Communications. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/506 The crowd noise (itself a sample taken from U2’s Rattle & Hum to convey the false impression of being a live album) dissipates to welcome a soaring vocal from Maxine Harvey which itself gives way to pounding beats, squelching synths and a saxophone solo from Duy Khiem – all hallmarks of the classic acid house sound.

Mellor, Christopher (February 1989). "Beam Me Up, Scotty – How to have a number one (The JAMs way)". Offbeat. Archived (via the Library of Mu) on 24 August 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/94 They would have a fan following that could put them in the Top 20 but I was thinking, that’s not a real Top 20 record, that’s just your cult following buying it in a week and I’m not interested in that. I wanted to know that the records we’re making were touching vast amounts of people. That was incredibly important.” a b Beaumont-Thomas, Ben (1 January 2021). "The KLF reissue music for first time since 1992". The Guardian . Retrieved 2 January 2021. It would be just the type of thing for the KLF to do to leave something like that lying around - and I know that Jimmy Cauty has worked with Banksy before” (the two worked together on Banksy’s Dismaland attraction in attraction at Weston-super-Mare.) It also has the single mix of 'Last Train To Trancentral' instead of the mellower UK album version, edits 'No More Tears' down from 9:24 to 6:42, and adds a little more wind noise at the end of the closing 'Justified And Ancient'.

The KLF: Enigmatic Dance Duo". Record Collector. 1 April 1991. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/226 It has a total playing time printed of 45:05, but in reality it's only 43:54. It lists 9 songs, but only has 8 indexed. a b George, Iestyn (March 1991). "The KLF: The White Room". Q. No.54 . Retrieved 4 March 2020. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/206 The KLF use an Oberheim OB8 Synthesiser, an Atari Computer, an Akai S900 Sampler, a Gibson 330 Semi-acoustic Guitar.Capping their year of extraordinary success at the BRIT Awards, they saw the ceremony as the ideal location to carry out one last act of rebellion and announce their retirement from the music industry. After performing a raucous version of 3 A.M. Eternal with crusty punks Extreme Noise Terror, they began firing blanks from a machine gun at the stunned industry crowd. Cinquemani, Sal (2 November 2002). "Review: The KLF, The White Room". Slant Magazine . Retrieved 16 November 2015. Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room cover John Whitworth was one of 400 special guests who were in the city last week for a highly unusual book launch event being held by enigmatic electronic band the Justified Ancients of Mu Mu - also known as the KLF. This affirmation in what they were doing continued with the eventual release of The White Room in March 1991. Entering the charts at No.3, it remained in the rundown for almost a year, no doubt bolstered by the further hit singles Last Train To Trancentral (Live at SSL) followed by two songs that were radically remixed for release as singles – Justified & Ancient (Stand By The JAMs), featuring Tammy Wynette and America: What Time Is Love?, both of which were Top 10 hits.