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Before My Actual Heart Breaks: Tish Delaney

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Mary falls pregnant at the tender age of sixteen during the Troubles in Northern Ireland. Having been brought up harshly and devoutly, an unmarried mother was something to be talked about within the chapel and the community alike. Mary’s mother, someone you’d be stupid be caught talking about in church or community, takes her own action to protect the reputation of the family, and to save her own face. Once I got to the halfway mark the book seemed to split in two. The first half a promise that the second didn't seem to keep. This book takes you by the chokehold. I felt paralysed by Mary’s sense of worthlessness and horrified by her acceptance of the hardships life had handed her; the love and protection she was so cruelly denied. I felt frustrated, too, as her relationship with John Johns stuttered along barely, hoping to shake some sense into them both to just communicate.

This is a sad, sad story of the ignorance and prejudice of its time. A girl who loses everything for a few minutes of unexpected joy and then sees all her plans for life evaporate. It's a tale of two people who just can't talk to each other or admit to their feelings. It's dripping with so much repression and so many words unspoken that the reader will want to shake the pair of them into some sense. My heart broke for the families of Northern Ireland in the 80s, for the innocent child with an evil mother and pushover father, for the irreplaceable loss of loved ones, for the dreams that suddenly get flushed down the drain and for the longing of a love you so desperately need but never quite feel deserving of. So many religious references and that pissed me off. At the beginning it was comprehensible because it put me into the context of what was going on and how the MC was who she was. But still, pissed me off. That’s my preference, though.Later in the book there is an unambiguous rape scene, but it comes as a surprise to the reader and appears to exist for narrative closure more than anything. It feels gratuitous and implausible. The couple never speak to each other and it is not explained until near the end of the book why he agreed to marry Mary (although it is easy to guess, if not the most logical or realistic thing to do). They go onto to have five children, have a torrid but closeted in the bedroom sex life and despite working together on the farm never speak to one another and seem to show no kindness to each other either, which I just couldn't quite believe. They get married in 1982,I do know that many young people still had "shotgun" marriages at that point in time in Northern Ireland but don't know of anyone who married someone not the father of the child. At that point I was openly living with my boyfriend, all be it in the city as were many friends. Things weren't quite as oppressive sexually as made out, the book should have been set in the 60's or 70's if it wanted to have the sexual mores it recounts. Many girls crossed the water for an abortion in Scotland or England (as they still have to), often their parents were the most religious and most vocally against abortion in public, but this is never considered as an option for Mary.

The story is firmly set in its historical context in terms of the attitudes within the community and issues within Catholic church which has been well documented. Northern Ireland’s political implosion and subsequent explosion is also portrayed heartbreakingly well for the sectarian divide, violence, atrocities and lost lives of which there are many reminders throughout the period of time covered. The Omagh bombing of 1998 especially resonates as it’s close to where Mary and family live and it’s horror contrasts really well with the lovely day the family have hay making. Ireland was and is a very religious Country governed a lot by “their Priest or Vicar. We see this when Mary is told by her Mother that she had better pray before bed as she can’t keep the ghosts away. On the outside it feels baffling that two people who marry and spend their lives together can be virtual strangers to each other, yet this is the reality of many arranged relationships. Tish Delaney movingly depicts the life of one such Northern Irish woman in her debut novel “Before My Actual Heart Breaks”. Mary Rattigan once dreamed of moving far away and being with her sweetheart, but those aspirations were dashed by the reality of her circumstances. When we meet her at the beginning of this novel it's 2007. She's estranged from her husband and her five children have gone away. Now there's nothing to bind her to the rural farm she's been confined to since she was sixteen but she finds herself questioning the heady plans she made in her youth and finds it difficult to articulate what she now desires. Over the course of the novel we discover the story of how she got to this point as well as a vivid depiction of The Troubles as experienced by a Catholic girl growing up in the 1970s who felt the alarming proximity of this long-term and bloody conflict. It's a story that powerfully represents the tension between the life you wanted and the life you've lived. This is Northern Ireland around 1970’s. When the bombing, the IRA, Protestants and Catholic’s were head on. The only thing worse than being 16 with dreams of escaping a violent and abusive mother and heading for England is being 16 and pregnant with all your dreams shattered. Mary's parents broker a marriage with a local man, John Johns, a handsome farmer but one touched with scandal due to his parentage. Never marry a 16-year-old with dreams, a baby in her womb and a massive chip on her shoulder!

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Despite how good her husband is to both her and her daughter, she still treats him with disdain and blames him for her predicament. At times I wanted to shout at her character for being so selfish but as a product of a damaged childhood, she hadn’t dealt with her own emotional issues and in many ways was still childlike in her behaviour. Mary and John are both emotionally crippled and unable to talk to each other. Mary, as a result of the treatment she received from her mother and John from events in his past, which are not fully revealed to Mary (and the reader) until late in the book. There were times when I wanted to shake them both for their obtuseness, particularly Mary who stubbornly refused to reach out to John, missing so many opportunities to voice what she was feeling. John’s mother Bridie is a wonderful character, kind and gentle, creating a safe haven for Mary after she was thrown out of her family, and providing the glue to hold Mary and John together as their family grows. This is in many ways a familiar story but it is told in such a fresh, entertaining, funny and moving way, it felt like I was reading something brand new.' RODDY DOYLE This isn’t just a love story, it’s so much more! It’s a story of personal growth, of grappling with your past demons, childhood trauma, of your hopes, wishes and desires, of understanding and ultimately, self actualisation. I wanted to scream out, too, that Mary was just a child, coerced by a man who abused his authority - something regrettably overlooked in the book; wanted to wrap Mary in my arms and tell her she owed no one no part of her.

Here is where the marriage might mimic the Troubles. Mary's realisation – "Had we ever tried talking to each other I might have known that he was the one person who could understand, the one who'd already been on that lonely, bloodied road" – reads like the beginnings of a peace process. I generally don’t like to make comparisons between books, but this felt like a gorgeously Irish version of Betty by Tiffany McDaniels with its vivid ensemble of family and its intricate, sometimes ugly dynamics, and in the way that subjects so painful can still survive and go onto bloom into something pretty great. I wanted to be the one he was paying attention to, just once. Sometimes it felt as if the fabric of the sofa had grown over me and no one had noticed. This book is about Mary Rattigan, a young Catholic girl trying to navigate growing up in 1970s Northern Ireland, where the “Troubles [rumble] constantly overhead like a thunderstorm”. She has a bully for a mother, a gormless father and six siblings. At school she shows potential, and dreams she will one day “grow wings and fly” – find a way to emigrate to England or the US and build a better life for herself. The character Bridie I absolutely came to adore as I did John John but he exasperated me at times as so did Mary although I fully understood why they acted in such a way, and when we find out about john johns past that was so touching.

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This book was a bit of a curate's egg for me. The first part dealing with Mary's childhood before her forced marriage at sixteen was superb. It really captured growing up with a toxic, narcissistic mother in Northern Ireland and resonated so much with my own life down to her mother spelling out regpungant words (to her) such as T.R.A.M.P and the superior holier than thou attitude, belittling and sense of never being good enough or of getting things right. It started to fall apart for me when Mary gets pregnant after her first sexual encounter (how predictable) and is hastly married off to the farmer down the road who is the rumoured who has recently returned heartbroken from that there London (and is himself the rumoured illigetimate offspring of a priest).

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