Kodak Portra 400 35m 36exp Film Professional 5 Pack

Product Information

com has so accurately written, there is nothing in the resulting images that is overdone, yet nothing is bland either. It means they leave the film in the developer longer and really helps get more out of the midtones and highlights. Kodak Portra 400 120 Professional Roll Film, uses Kodak T-Grain technology and allows photographs to be greatly enlarged whilst keeping all the benefits of the film. But outside of those two situations, I would use Portra for photographing while hiking, vintage car shoots, or photographing friends in an outdoor environment. If you’re going to spend the time and money shooting and processing film, I think it’s worth a couple extra bucks up front to make sure you get the best possible results.

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no matter the lighting conditions, even under fluorescent, you can expect beautiful, natural colour. Originally there were two variants of Portra: 'Vivid Colour' and 'Natural Colour' but a technical update in 2010 made the difference redundant with a new and improved film. As you can see from the photos above, I shot these under completely different conditions from the shots I took at the wedding.

Portraiture Perfection: Loved by portrait photographers, this film renders skin tones with unmatched precision, ensuring that your subjects always look their best. Step into the world of breathtaking colour accuracy and timeless elegance with KODAK Portra 400 35mm film.Fine Grain Excellence: The film's fine grain structure ensures sharpness and clarity, even in the most intricate details. Kodak Portra 400 Professional Film is great for commercial photographers and amateurs alike and is a fast film for poor or low light conditions. I'm really glad for the way I've tested the Portra 400, as it really covers many different shooting conditions. By setting my light meter to 320 ISO it helps me stay more in the green box below, erring on the side of overexposure, which film can handle a lot better than being underexposed (see the left muddy size of the chart below). They were both tough scenes in mid day gloomy bright weather but I pretty much lost the sky in the highlights for both of them, so I should have just metered for the shadows.