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The Unforgiving

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Ultratop.be – Within Temptation – The Unforgiving" (in Dutch). Hung Medien. Retrieved 17 August 2016. The Unforgiving is the fifth studio album by Dutch symphonic metal band Within Temptation, released by Roadrunner Records on 29 March 2011. [3] It was a concept album as one part of a transmedia storytelling project, which accompanied the release of three short films and a series of six comic books. The album followed the band's pattern of incorporating new musical elements on each release, this time marking a major transition point for the band and featuring more pop and 80s influences. Lyrically, the band focused on telling a story with specific characters, also present in the films and comic books. This album is spectacular. I understand that long time fans are a bit put off by what is apparently a departure from their usual sound, but they departed to somewhere far better, like someone moving out of Detroit. You can hardly blame them. It's just that with watershed albums, which The Unforgiving surely is, you always end up with two camps of fans. There's the How Dare You Change crowd of existing fans who like what the band did on day 1 and just want them to do that forever, and there's the As Long As It's Good fans who just like the music and don't particularly care if it stylistically matches any previous output. I have been on both sides with one band or another, so I know how it goes. Steffen Hung. "Greek charts portal". greekcharts.com. Archived from the original on 3 December 2013 . Retrieved 28 December 2012. Overall, not an awful album and certainly completely listenable and even brilliant at times, but this is far from essential and is quite unmemorable, generic, and definitely not new..

Following the formation of the initial ideas, O'Connell completed the rest of the story with additional suggestions from the band. For example, Sinéad was initially a South American woman named Maya, but, as the music to " Sinéad" had already been completed, Sharon requested that the name and nationality be changed. [4] While shooting the three short films and music videos, Mother Maiden (" Faster"), Sinéad and Triplets ("Shot in the Dark"), the band and director (Joeri Holsheimer) came up with several other ideas, among them which song would connect to which story. The band's decision to shoot three short films was mostly to avoid the restrictions imposed on music videos, as Sharon explained: [4] April 2011/40/ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 25 October 2018. Within Temptation release "Sinead", second short film". 21 March 2011. Archived from the original on 19 July 2011 . Retrieved 22 March 2011. There is a certain malleability to metal, appropriate primarily since many metal substances carry this trait in a material sense, but often taken for granted and often times dismissed as being too heavily bent towards eclectic influences. But regardless of dueling orthodoxies, it is pretty well established that the limits of the genre are drawn less by any conventional wisdom, but more so by those in the mind of the creator. Within Temptation sought to expand their own boundaries while walking a clear tightrope musically, trying to balance a fairly different direction with the symphonic underpinnings of their established sound.The sound quality is superb. Everything seems to be mixed well together. This band was actually a recommendation from my female metalhead friend of mine. I didn't like the album initially because I didn't think it was heavy enough. Then I brought down my expectations and took it for however it is. It's a great "chill-to" album. The music is great and just hard enough to make it metal but not really that heavy. The main focus seems to be the voice. The acoustic guitars too are fantastic. Everything seems to fit together on here. Some songs are heavy but the main focus for them are epic songs. A video for "Where Is the Edge" was released on 15 December 2010, along with footage from the upcoming film Me and Mr Jones on Natalee Island. [13] The band also announced that the album would be released alongside a comic book series with the same name, forming a story surrounding the main protagonist, Sinéad. [5] Members of Within Temptation giving an acoustic performance at Q Music studios Within Temptation" still knows how to make it dramatic and theatrical, the intro to "Faster" sounds like a song on a preview for an action movie, and the intro to "Murder" sounds like a song that would be on a preview for a thriller movie. Even in Sinead" the one song on this album that sounds like it would be played at a dance party has a symphonic theatrical incline that makes you feel like that you're still listening to "Within Temptation" no matter how different it is.

The Unforgiving at Roadrunner Records Albums of the century". Archived from the original on 13 November 2013. In conclusion, this is an album that is completely different from all those that came before it. It's an almost-masterpiece, but not all the songs are "blow you away amazing songs" so it comes a little short from a 100. But amazing none the less.

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In searching for a new concept, they approached the writer of The Chronicles of Spellborn comics, who introduced the band to Steven O'Connell. However, upon his first meeting with the band, he failed to impress them with ideas involving zombies and fantasy, while they were hoping for a more mature approach rather than something unclear and superficial. [4] Sharon explained that, in trying to describe to O'Connell what they were looking for, [4]

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