The Satsuma Complex

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So many comedians have published novels this year that I have begun to wonder whether writing one is an assignment in a yet-to-be-broadcast episode of Taskmaster. Most of them have confirmed the axiom that comics can’t write memorable fiction: even the novels of master funnymen such as Eric Morecambe and Les Dawson did not burnish their reputations. Gary works as a solicitor of little talent and has a thing for drinking in the pub and eating Battenburg cake. When necessary, he also seems to be able to glean words of advice and wisdom from the local squirrels who tend to show up in times when a good talking to is required.

When the police arrive on Gary’s doorstep the next morning saying Brendan is missing and he was the last person to see him alive, the book takes all sorts of twists and turns. There’s a bit of a mystery, a bit of romance, and a bunch of insight in human beings and their behaviour. Writing style Love Untold has a plot, but its real joy is in how Jones digs her fingernails into decades of complicated family history. The risk here would be to boil down at least one of the generations to stereotype, but Jones fiercely resists this. These are four complicated, singular women on their own paths and the story comes entirely from watching them rub against each other. It is stridently confident when it comes to hitting you around the head with sentiment until you relent and start crying, too. Jones could write books like this for the rest of her life and they’d all be brilliant. Burke’s podcast, Where There’s A Will There’s A Wake, revolves around death and Mortimer said he’d like to die fighting a bear – or hit by an articulated lorry carrying Flumps. The winner was chosen from a shortlist of six very different titles that collectively showed that comedy can come in all shapes and sizes: farce, satire, parody, and a gentler, witty geniality.

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Main character Technically, the Thursday Murder Club are an ensemble – Elizabeth, Joyce, Ron and Ibrahim – but the leader is arguably Elizabeth, an ex-spy and primary carer for her husband, who has dementia. Gary likes to look around and really pay attention to stuff on his work “commute”. He’s definitely a people watcher, and he has no time to have his face in a mobile phone like most others around him.

Writing style This is a book about a woman who essentially devolves (or evolves, as it would like us all to think) into an animal, which makes it a slightly less high-minded version of Paula Cocozza’s novel How to Be Human. It rips along at a decent clip and, even though O’Porter now lives in Los Angeles, does a very good job of depicting the empty aspirational scuzz of the London creative scene. In fact, this is where it thrives. The chapters about Mia’s awful workplace are much more compelling than the ones where she stops washing and pretends to be a cat. Now in its 23rd year, the award is the UK’s longest running prize for comic fiction and is designed to highlight the funniest novel of the past twelve months, which best evokes the Wodehouse spirit of witty characters and perfectly-timed comic phrases. Who should buy this book? If I had to guess, I’d say every single woman who owns a cat will have this pressed into her hands over the next few months. Main character The story is told from the perspective of all four characters, although the main one is Grace, a woman approaching her 90th birthday with the same energy that most approach their 30th. We meet her on a beach, snapping at a patronising do-gooder, and things progress from there. Gary also likes to engage in chit-chat with the squirrel he encounters in the park every day, imagining the other side of the conversation. He doesn’t have many mates, see: a couple of blokes he watches football with maybe, or the occasional exchange with the cantankerous old woman next door.

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Mortimer commented on the win: “I'm really chuffed to have won the Bollinger Everyman Wodehouse Prize for Comic Fiction, and what a treat to have an old spot pig named after the book. I still have no idea if I can actually write but this award gives me fresh hope. Cheers!”

Here, our titular hero Demon Copperhead is born to a drug-addicted, teenage, trailer-park mother.He has to battle everyone and everything to make something of himself. But this is so much more than a clever literary exercise. Who should buy this book? Fans of The Great British Bake Off, especially fans who have just started to notice how wobbly the show has got without her. The Bullet That Missed by Richard Osman I thought if I did the same character, I'll just write the same book,’ the comedian told Kathy Burke on her podcast. ‘So I thought, you know go doing something different.’ Celebrities and good fiction books don’t always go hand in hand. Because celebrities don’t always need to write quality to sell a lot of books. Usually, their name value alone is enough to make a profit. And I wouldn’t necessarily say this book is the exception, but there are some things that do make this book worth reading. Bob Mortimer is a good storyteller. The premise of the story is definitely quite strong. The beginning of the story immediately grabbed me. And in terms of plot, it’s pretty good. But he’s just not a professional novel writer, and this can definitely be noticeable. Because somewhere in the middle of the story, I started losing interest a little bit. The story did a good job of trying to grab me again before I got to the end though. Bob Mortimer is also a good comedian. And there are definitely some snippets of comedy gold to be found in here. Like the brilliant addition of the talking squirrel. But, quite often, the comedy doesn’t hit home like it should.Bob drops in goofy stuff in an almost flattish sounding narrative. Sample ".. have never bothered with social media and the like.I don't see the point of it; I've got enough strangers in my life as it is". In serious parts - a cynical remark (like that of Marvin the robot) has you grinning. And yet, it was a plausible story that had it's highs. Also, the self deprecating meta was hilarious and not too overdone where different characters call the book in the novel "The Satsuma Complex" shit and boring.

Mortimer, who found fame as one half of Reeves and Mortimer alongside Vic Reeves, said he was “really chuffed” to have won the award. “I still have no idea if I can actually write but this award gives me fresh hope,” he added. However new title will not feature Gary –the semi-autobiographical character of a disillusioned legal assistant – who was at the centre of the first. Cover quote “His grasp of human loneliness and longing is beautiful and comforting” – Marian Keyes (again). Writing style Norton, it turns out, is a magnificent novelist. The story of Forever Home is a simple one, but it hinges on a big twist halfway through. A lesser writer would have hurried to get to the big moment sooner, or at least gleefully started to drop bigger and bigger breadcrumbs. But Norton is a model of restraint. He spends chapter after chapter making doubly sure you feel the way he wants you to feel about each character before dropping his bomb.The writing style I enjoyed as it was very reminiscent of how Bob tells all of his tales anyway: short, sharp sentences that set the scene nicely without any fluffery. It was funny in the right places, but I think could have been injected with a little more (it was also particularly Bob-humour as well, which was well received).