The Miracle (Collector’s Edition

Product Information

It would take 15 months and a radical restructuring of internal band dynamics before Queen regrouped in London’s Townhouse Studios on December 3 rd, 1987, to start work on their thirteenth studio album. For the first time, Queen would share songwriting credits equally, regardless of who conceived each song, a consensus of opinion that was to have fertile results. “Splitting the credits was a very important decision for us. We left our egos outside the studio door,” says Brian, “and worked together as a real band – something that wasn’t always the case. I wish we’d done it 15 years before.” The Miracle Interviews (Interviews with Roger, Brian and John on the set of the Breakthru film shoot in June 1989, by Gavin Taylor. John has given no further interviews since that day)

One further ingredient in the mix was David Richards, who had worked with Queen since his billing as assistant engineer on Live Killers. After further credits on A Kind of Magic and Live Magic, Richards stepped up to co-produce The Miracle, praised by May for his “whizz kid” technical prowess. This show of unity was elegantly conveyed by band art director Richard Gray’s cover for The Miracle, which depicts Queen’s four faces merged into one. “The cover art represents the unity of the group at the time: a seamless merging of four people becoming one,” May has said. “We were also dealing with Freddie’s deteriorating health and pulling together to support him.” With the band arriving at the studio with scarce mapped-out material these sessions found Queen at their most inspired and impulsive, and that atmosphere is mirrored in not just the music but the familial exchanges that punctuate it. As Freddie said: “I think it’s the closest we’ve ever been in terms of actually writing together.” Among its contents, the expanded set includes The Miracle Sessions: an hour-plus disc of further previously unreleased recordings, including six unpublished songs. Just as tantalising for fans, the audio includes the band's candid spoken exchanges on the studio floor in London and Montreux, giving the most revealing window yet into the four members' creative process and the joy, in-jokes and banter on their return to working together. Queen’s writing also reflected their personal circumstances. The torn-from-the-headlines drama of ‘Scandal’ was May’s personal swipe at the press intrusion into the bandmembers’ respective personal affairs. Singled out by Deacon for praise, Freddie’s soaring album closer, ‘Was It All Worth It’, has in retrospect been interpreted as a reflection on the singer’s health.Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 1 December 2022. But perhaps the real gemstones of ‘The Miracle Sessions’ CD are the spoken segments that bookend the musical takes. As the studio tape keeps rolling in London and Montreux, the four members are caught at their most candid, giving listeners the uncanny fly-on-the wall experience of standing amongst Freddie, Brian, John and Roger as they banter, debate, swap jokes and show both joy and occasional frustration. I was tantalised by the promise of finally getting to hear ‘Dog With A Bone’ properly, a rough demo having been floating around for a while. I even dared to hope that we might get some studio outtakes, as we had with the ‘News of the World’ Anniversary Edition. (‘This will be take thirty seven… THOISAND’ in a horribly RP accent is a personal favourite of mine). I did not think much beyond this. But perhaps the real gemstones of The Miracle Sessions CD are the spoken segments that bookend the musical takes. As the studio tape keeps rolling in London and Montreux, the four members are caught at their most candid, giving listeners the uncanny fly-on-the wall experience of standing amongst Freddie, Brian, John and Roger as they banter, debate, swap jokes and show both joy and occasional frustration. Among its contents, the expanded set includes The Miracle Sessions: an hour-plus disc of further previously unreleased recordings, including six unpublished songs. Just as tantalising for fans, the audio includes the band’s candid spoken exchanges on the studio floor in London and Montreux, giving the most revealing window yet into the four members’ creative process and the joy, in-jokes and banter on their return to working together.

Presented here for the first time ever: When Love Breaks Up, You Know You Belong To Me, I Guess We’re Falling Out, Dog With a Bone, Water, and Face It Alone. Heard for the first time in Queen history, the spoken outtakes from ‘The Miracle Sessions’ invite fans onto the studio floor to experience the band’s unvarnished dynamic, more natural and revealing than any ‘official’ press interview. These unguarded exchanges – by turns mischievous, encouraging, witty, even affectionately waspish – capture the band as they truly were during The Miracle’s late bloom, buzzing with renewed enthusiasm at their return to the studio, and driven by a rare chemistry that still threw up sparks. The Making Of The Miracle Videos (Compiled by Rudi Dolezal, this feature contains behind the scenes footage of I Want It All, Scandal, The Miracle and Breakthru videos) This feature contains behind the scenes footage of ‘I Want It All’, ‘Scandal’, ‘The Miracle’ and ‘Breakthru’ videos.Includes ’The Miracle Sessions’, containing over an hour of unreleased studio recordings including six previously unheard songs – plus intimate fly-on-the-wall audio of the band at work (and play) in the studio Album – Classifica settimanale WK 47 (dal 18.11.2022 al 24.11.2022)" (in Italian). Federazione Industria Musicale Italiana . Retrieved 26 November 2022.