Germ Free Adolescents

Product Information

Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.344. ISBN 0-646-11917-6. Germfree Adolescents (November 1978: EMI International, INT 3023) – No. 30 UK Albums Chart, [41] No. 56 AUS [42] Long-running California punk band NOFX has performed a cover version of Germfree Adolescents live. [24]

Robbins, Ira (7 August 1992). "Germfree Adolescents". Entertainment Weekly. Archived from the original on 17 November 2016 . Retrieved 5 September 2016. Sheffield, Rob (1995). "X-Ray Spex". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. p.441. ISBN 0-679-75574-8. In 1994, The Guinness Encyclopedia of Popular Music named Germfree Adolescents the eighth best punk album of all time. [19] Seven years later, in May 2001, Spin magazine ranked the album at number five on its "50 Most Essential Punk Records" list. [20] In March 2003, Mojo magazine ranked the record at number 19 on its "Top 50 Punk Albums" list. [21] Germfree Adolescents is listed in the reference book 1001 Albums You Must Hear Before You Die. [22] Strong, M.C. (2003). The Great Indie Discography . Edinburgh: Canongate. p.184. ISBN 1-84195-335-0.

Credits (16)

The same reviewer in The Virgin Encyclopedia of Popular Music sums up the band's 1970s contribution as "one of the most inventive, original and genuinely exciting groups to emerge during the punk era". [33] Reformation [ edit ] Gardner, Steve (1996). "Hiljaiset Levyt: 100 Best Punk singles". Archived from the original on 24 August 2014. Revolt-in-plastic punk. Weird arty stuff with saxophone MercuryPrize (15 September 2014). "FKA twigs Q&A – 2014 Mercury Prize". Archived from the original on 13 December 2021 – via YouTube. Probably the best release from all the first wave of UK punk bands (and I'm including the Clash and the Pistols in that), this is a blistering set of classic tunes that really epitomise the mood of the time. There are tons of great riffs and clanging rhythms, underpinned by some incessant sax lines that provide a slyly melodic counterpoint to all the noise going on around them. Poly Styrene's harsh, shrill, almost atonal vocals set it all off brilliantly, and the lyrics - taking pot-shots at consumerism and the difficulty of creating personal, alternative identities in what was/is fundamentally a conservative and conformist society - are bang on the money.

Dimery, Robert (2005). 1001 Albums You Must Hear Before You Die . London: Cassell. p.420. The whole record is a thunderingly radical and real; production is straightforward and merely delivers the sound of a scorching, hectic band unto the listener The album was not a large commercial success, and never charted, however it was critically praised, with the prolific Robert Christgau of the Village Voice regretting the fact that Poly Styrene’s “irresistible color” was not released in the US, rather released only in Britain by label EMI. The album was also produced by Falcon Stuart, who also housed all the band’s members, advertised, and even photographed for them. Stuart would also go on to spawn Adam Ant’s career, and others. a b "Poly Styrene, X-Ray Spex frontwoman and punk icon, subject of new documentary". 29 March 2017. Due to this obsession, she sees in a boy “cleanliness,” and is attracted to him for that reason. Cleanliness in this song denotes the expectation of physical and sexual “purity” for women and girls. This could also signify the subject’s age; puberty is often thought of as gross, and society deems bodies and bodily functions as inherently dirty or disgusting. The song hints towards the girl’s abnegation of her body as it is changing and growing.X-Ray Spex played at 'Front Row Festival', a three-week event at the Hope and Anchor, Islington in late November and early December 1977. [24] This resulted in the band's inclusion, alongside the likes of Wilko Johnson, 999, The Only Ones, the Saints, The Stranglers, and XTC, on a double album of recordings from the festival. Then, in February 1978, before the release of their second single, X-Ray Spex recorded the first of two sessions for John Peel at BBC Radio 1. [31] Their profile was further enhanced by playing a fortnight's residency at New York's CBGB's, even though the album Germ Free Adolescents was not released in America until 1992. In late September 1977, a studio recording of "Oh Bondage Up Yours!" was released as a single. Today, the 45 is regarded as their most enduring artefact, both as a piece of music and as a sort of proto-grrrl catchphrase. [26] [27] Opening with the spoken/screamed line, "Some people think little girls should be seen and not heard but I think— oh, bondage, up yours!", the song could be interpreted as a premonition of the riot grrrl movement 15 years later, although Styrene herself insists it was more intended as an anti-consumerist/ anti-capitalist jingle, and was not exclusively feminist in nature.

Du Noyer, Paul (1998). Encyclopedia of Albums: 1,000 Best-Ever Albums . Bristol: Dempsey Parr. p.89. ISBN 1-84084-031-5. They aimed their fluorescent bile at the vapidity and sterility of the modern world, specifically the increasingly consumerist nature of society, in classic sax-drenched anthems NOFX – Germ Free Adolescents (X-Ray Spex cover) Lyrics – SongMeanings". SongMeanings . Retrieved 4 July 2018. Of course, it could still be argued that embarking on a project like this is increasingly difficult in an era of streaming and fragmented taste. But that was part of what made rebooting the RS 500 fascinating and fun; 86 of the albums on the list are from this century, and 154 are new additions that weren’t on the 2003 or 2012 versions. The classics are still the classics, but the canon keeps getting bigger and better. Written By The first incarnation of X-Ray Spex existed from mid-1976 to 1979, during which time they released five singles—"Oh Bondage Up Yours!", "Identity", "The Day the World Turned Day-Glo", "Germfree Adolescents", and "Highly Inflammable"—and one album, Germfree Adolescents. [17] [32] One retrospective review described the singles as "not only riveting examples of high-energy punk, but contained provocative, thoughtful lyrics berating the urban synthetic fashions of the 70s and urging individual expression". [33] Her inspiring story encapsulates what should be the legacy of punk: not simply spiky rebelliousness, but a self-aware sensitivity to the world that can help shape how we navigate the music industry and our lives as a whole. I Am a Cliche shows how Poly’s innate sensitivity was often misunderstood and exploited – yet for me she remains a radiant symbol of defiance, luminous rage and joy. I believe that she dreamed of reaching a higher level of consciousness through art and wanted to examine a more spiritual route to identity. Her music and lyrics transcended the everyday, stretching the limits of the imagination.Staunton, Terry (May 2009). "X-Ray Spex – Germ Free Adolescents: Deluxe Edition". Record Collector. No.362 . Retrieved 5 September 2016. Christgau, Robert (26 February 1979). "Christgau's Consumer Guide". The Village Voice . Retrieved 23 October 2020. Murray, Charles Shaar (1978). "No Pop, No Style Poly Styrene is Still Strictly Roots". NME (published 13 May 1978). Archived from the original on 27 October 2009 . Retrieved 19 January 2008.