KAM RZ12A ACTIVE SPEAKER

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The Multiple Meanings of Tradition: Kam Singing in Southwestern China,” Newsletter for the International Institute of Asian Studies (No. 60, Summer, 2012), pp. 4‐5

Kam people and Kam music Location of the two provinces (Guizhou and Hunan Provinces) and one autonomous region (Guangxi Zhuang Autonomous Region) where most Kam people reside. The approximate location of Sheeam is marked with an arrow (Map by Wu Jiaping, used with permission) DETAILS Unleash powerful sound with the Kam RZ15A—a versatile PA speaker featuring a 15-inch woofer, 1.75-inch compression driver, and 1200W peak power. Perfect for musicians, DJs, and presenters seeking exceptional audio quality and portability.With a strong, compact chassis, the Kam 12" Speaker is specifically designed to survive the toughest of conditions, whether you're travelling from gig to gig, this speaker is designed to withstand the typical touring conditions! Ingram, C. (2013) Understanding Musical Participation: ‘Listening’ Participants and Big Song Singers in Kam villages, Southwestern China. In Russell, I. and Ingram, C. (eds.) Taking Part in Music: Case Studies in Ethnomusicology. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology, pp. 53-68 Deliveries will be made subject to the terms and conditions of the courier company. djkit.com will not be held responsible for late deliveries.

DETAILS The Kam RZ12A is a 12-inch portable PA speaker system that boasts a powerful output with a great bass response; perfect for a range of live sound applications. Thanks to its portable design and user-friendly operation the Kam RZ12A is suitable for a range of PA applications such as for DJs, musicians & karaoke, schools & colleges, buskers, public speakers, vocalists and singers. At DJKit, we believe in offering the best DJ equipment and supplies to our customers, and that's why we stand firm by our decision to sell speakers from KAM. You'll find that they offer clarity and volume that far exceeds anything that their competition is able to do. Although there are many imitations, nothing comes close to the quality of a KAM speaker.

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Ingram, C. (2012) Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage. The Asia Pacific Journal of Anthropology 13 (5): 434-453 Featuring a 12-inch woofer, the RZ12A delivers a powerful 250W RMS / 1000W Peak power output with a punchy bass response & crystal clear highs. Ingram, C. (2012) Researching Kam Minority Music in China. In Ng, N. (ed.) Encounters : musical meetings between China and Australia. Toowong, QLD: Australian Academic Press, pp. 63-80 Finally, positioning myself in the research context and developing relationships with people presented various kinds of challenges. I had to develop ways to make my intentions and motivation understood, to convey the respect I held for my friends and their culture, and to build rapport across cultural and linguistic divides. Conveying this respect through being willing to engage in the muddy, exhausting or mundane tasks that are central to village life, learning to speak Kam, and participating in and evidently appreciating Kam culture (as illustrated through some of the footage in the Guizhou Television documentaries) was crucial to the relationships I have developed with Kam villagers and to my research positionality. Keith Ridler also notes the connection between shared tasks, friendship and ethnographic research, stating that: