Unraveller

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Unraveller ’s first third or so is taken up with a quest that Kellen and Nettle have almost no choice but to accept. Someone is freeing cursers, and a man named Gale and his terrifying marsh horse enlist Kellen for his skills. Where he goes, Nettle goes. But this is only half the story. Who is freeing cursers is not the right question. Why is much more important. The action is only a symptom, an indication that something is not right in Raddith. Kellen is a young man with an uncanny gift: he can undo (unravel) curses. That's how he met Nettle. She and her siblings had been cursed by their stepmother and Kellen helped ... only Nettle didn't leave his side afterwards and now they are traveling this strange, hate-driven world together. Frances Hardinge is without a doubt among my absolutely favorite writers, and her books are always a delight and pure pleasure. Not only is she excellent with words and is able to create brand-new fully fleshed worlds that are fresh and feel vividly real, but she also does what I wish every writer felt comfortable doing. She trusts her readers. She trusts us to understand subtleties and nuances and to make our own conclusions without ever hitting us over the head with any anvil-sized messages. She’s too skilled for that. She trusts us to think — actually, she *expects* us to do that. And for that I love her works. She makes her writing feel effortless — and that’s the skill to be admired.

Frances Hardinge’s Unraveller is a beautifully written and richly imagined fantasy with a deliciously twisted, dark fairytale-esque aesthetic I couldn’t get enough of! With solid Discworld vibes, a complex, emotional friendship that doesn't become a romance and a series of chaotic events, I think this may be the best work Frances has ever produced. While most of her previous books felt more in the Middle Grade category, I think this story could easily appeal to adult fantasy readers. You have of course heard that some people in Raddith are able to curse their enemies. It sounded so picturesque when you were reading about it at home, like a fairytale.I also appreciate Hardinge's morally ambiguous characters - none of them simply good or evil, but each motivated by a complex blend of history, chance, and personality - and I really like the way her worlds manage to be spooky and dark but not hopeless.

I love the nuance in Hardinge’s writing. She evokes so much emotion and brings her readers along a thought-provoking journey, yet her messages are never heavy-handed. I’m getting so tired of these in-your face YA stories that scream to the roof messages and themes rather than trusting readers to come to those same conclusions simply because the author has written a well-crafted story. But I also loved the more visual parts of the worldbuilding. From bogs to marshes, from rivers to the metropolis; whether we were in lonely places or ones bursting from the seams with inhabitants - this world was beautiful in every way. Così la trama prosegue su due filoni: le indagini dei ragazzi per sciogliere le maledizioni locali che incontrano, e la ricerca, più generale, per capire chi sono i veri nemici e i membri di Salvezza.

This wasn’t a perfect story for me. There were one too many side quests, so the plot did get a bit muddled in the middle for me. A more tightly edited story would have made this a 5 star read. Discovering the flaws in one’s society (large or small, country or village) is a huge and important part of growing up, and one that Hardinge explores and pokes at with questions and ideas. If anyone can do something wrong, or feel something wrong, and wind up an outcast, then what? What grace can the world learn to offer to the rejected and outcast and othered? What can be learned from anger, and what are its limitations? How do you know when anger is righteous and useful, and when it’s merely cruel? Can power that comes from anger and pain be used for good? Mentre si guadagna da vivere con il suo talento, aiutato da Nettle (ragazza salvata a sua volta da una maledizione che ha colpito in modo doloroso lei e i fratelli) si ritrova invischiato in una sorta di grande complotto, che potrebbe colpire direttamente anche lui.

I can't really shake the feeling that all the people raving about all the "layers" in this book must not read awfully complicated books often, because I found the "layers" utterly underwhelming.I like sinking into a Hardinge book knowing absolutely nothing. Not even reading the flap copy. It makes for a uniquely rewarding experience. And, to my delight, I discovered that this particular book was attempting something wholly original. At its heart, this is a detective novel. You have our two heroes, one the detective who can unravel each case they come across and other the moral compass that keeps him pointed north. You have evil on both a governmental level (always a topic Hardinge enjoys) and on a smaller more cult-like level. But through it all our two heroes are interviewing suspects, solving crimes, and trying to keep from getting gutted along the way. So much of the fun comes from watching Kellen gather the clues together to find the connecting (forgive me) thread. It’s not Agatha Christie but it ain’t half bad. Sometimes you catch on to what Kellen’s after before Nettle does, but most of the time you’re with her, floundering along in his wake. Unraveller feels like a true fairytale, there may be wondrous creatures and mysterious forest settings, but there's also a Marsh Horse that may eat you and definitely a solid chance of being turned into a harp, a bat or a ship if you get on someone's bad side. It's very funny throughout, but balances that out with themes of grief, fear and rage. Perhaps you will decide that all the stories of the Wilds and the Raddith cursers were invented to entertain tourists. And at night, when you see a many-legged shape scuttle across the ceiling of your bedchamber, you will tell yourself that it is a spider, and only a spider . . . For fans of Natalie Haynes, Kiran Millwood-Hargrave and Neil Gaiman comes Frances Hardinge's spectacular novel Unraveller. Called her 'best yet' by the Guardian, and 'sheer perfection' and 'a masterpiece' by reviewers, Hardinge expertly weaves together mythology and mystery in a meticulously-detailed world besieged by curses. The Wilds, which run along the coast of Raddith, are a place of mystery and magic and legend, home to beings like marsh horses and Dancing Stars and, most importantly, Little Brothers, which are kind of like spiders, except not really. They weave and they have many legs, but they can also give people the power to curse others. “The curse then nestles in the host’s soul like an unhatched egg, growing in power, until the curser is ready to unleash it upon an enemy.”

The story itself follows Kellen, it's unruly protagonist, who has a rare and highly sought after gift. A gift that allows him to unravel (undo) the previously mentioned curses. We witness as he and his unusual companions, throw themselves deep into the unknown, in a bid to save those who have been cruelly jinxed and to bring down a unidentified enemy abetting those who curse. Of course, nothing is quite as it seems...

Written in 2 POVs: Kellen and Nettle, they live in The Wilds… where anyone can create a “Life Destroying Curse” people can turn into animal, grow strange things on their bodies, even turn into things. Kellen has the ability to “unravel” curse… he can cure the cursed people tho not everyone happy about it and some even want to capture him because of this special ability. My hosts started to realize that just because somebody *feels* wronged, that doesn’t mean they are.” Our main protagonist, Kellen, has a talent for unravelling curses. One day he meets Nettle and unravels her curse and they become close friends. But then Kellen discovers he’s become cursed. As Kellen and Nettle investigate his curse, they go on a journey where they discover secrets and lies and the truth about their friendship. Moss hung in great, green-grey swathes from the branches. Everywhere there was the cold, lush smell of the woods with its undercurrent of rot, its fierce green freshness and the scent of a thousand marsh flowers gaping their fat silken petals in the summer dark. Another creative well-written young adult fantasy from the master of the atmosphere and whimsy. Even though this felt so unlike all the other books I’ve read penned by her. If you’ve been following Hardinge’s career so far, you know she’s into whimsical, often surreal stories written in ornate language. This was different. This was .. overstuffed, crowded.