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Interstellar [Blu-ray] [2014] [Region Free]

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The Simulation of Zero-G (05:31) - How the filmmakers created the illusion of weightlessness using many techniques that were originally pioneered on 2001: A Space Odyssey. If Gravity took us into orbit and Sunshine took us to the sun then Interstellar takes us beyond both with wormholes, space anomalies, alien planets and other dimensions. The Simulation of Zero-G– Gravity plays a huge role in the film and has multiple repercussions, though this is more focused on the actors’ and how they dealt with varying degrees of gravity. Across All Dimensions and Time—A look at the concept and design of the Tesseract, which incorporated a practical set rather than a green screen. The conclusions that are reached can appear hokey on the surface. There's an "I've seen this somewhere else," vibe near the end. But, with Nolan's keen directorial eye, focused on the wonder of practical special effects, and a dominating performance from McConaughey, 'Interstellar' overcomes most of its faults and satisfies in the end.

Interstellar Blu-ray Review | High Def Digest Interstellar Blu-ray Review | High Def Digest

The disc includes a great set of extras that reveal all that went into making such an ambitious film. The Science of 'Interstellar' (HD 50 min.) – McConaughey provides the narration as the film's more scientific elements are explained and dissected by scientist Kip Thorne. This three disc set contains two of the discs, each containing a movie (the Ultra HD on one and the Blu-ray on the other). The special features are all found on the third disc. TARS and CASE– A closer look at the two robots in the film, their “inspiration”, the voices used and the mechanics of both.Interstellar makes for one hell of an audio experience, but in staying faithful to the material it brings the same problematic dialogue issues to the home format.

Interstellar Blu-ray Interstellar Blu-ray

Shooting in Iceland: Miller's Planet/Mann's Planet—Travel with the cast and crew to Iceland and see the challenges they faced in creating two vastly different worlds in one country. The Ranger and the Lander (12:20) - The design and construction of the Ranger spacecraft and the Lander spacecraft with another walk-through from production designer Nathan Crowley. The Endurance (09:24) - The design and construction of the film's main spaceship including a walk-through of the set by production designer Nathan Crowley.While I personally found the sheer loudness of Zimmer's score to be irritating in the theater, I found that my home viewing experience was much better. The scenes in question – like when the team ventures through the worm hole – are still really loud, but the dialogue is still intelligible. I actually quite liked the engulfing, entrancing quality of Zimmer's score this time around. I also immensely enjoyed the heaps of bass thundering forth from my sub. If you're a fan of low-end sonics, then this is surely the sound mix for you. In the near future the Earth is suffering from a drought. The “Dust Bowl” that happened in the mid west in the 1930’s has become a worldwide problem. Crops are drying up and huge dust storms are commonplace. Farmer/Engineer Cooper (Matthew McConaughey) and his family aren’t immune to the climate changes, either. However, it so happens that they discover some sort of code that leads Cooper to the headquarters of NASA. He’s informed that they’re sending a shuttle into space to try and solve the drought on Earth. Cooper, along with a skeleton crew, head off into the bowels of space and head for a wormhole that will allow them to travel beyond our solar system. The odds of survival are slim. Will Cooper and his crew be able to navigate the dangers of space and save the Earth or are they doomed?

Interstellar Blu-Ray Review | AVForums

The Spacesuits (04:31) - The design and construction of the film's spacesuits is covered along with the challenges of acting in them. The included extras are all presented in high definition and provide an in-depth look at the making of the film and are generally excellent, in fact our only real complaint would be that there's no 'play all' feature for the various sections which means you have to select each one individually. Across All Dimensions and Time– A pretty comprehensive look at the design and thought that went into the Tesseract that played a major part in the third act of the film. The Cosmic Sounds of Interstellar (13:40) - Hans Zimmer discusses how he wrote and recorded the score for the film.Inside 'Interstellar' (HD, 1 hr. 50 min.) – This behind-the-scenes documentary features 14 featurettes: "Plotting an 'Interstellar' Journey," "Life on Cooper's Farm," "The Dust," "Tars and Case," "The Cosmic Sounds of 'Interstellar,'" "The Space Suits," "The Endurance," "Shooting in Iceland: Miller's Planet/Mann's Planet," "The Ranger and the Lander," "Miniatures in Space," "The Simulation of Zero-G," "Celestial Landmarks," "Across All Dimensions and Time," "and "Final Thoughts." As you can tell from the titles they cover just about every interesting aspect of the film's production. Ones to really watch are "Tars and Case," which discusses the practical and digital effects that went into the movie's unique robots and "Miniatures in Space" which shows how some of the awesome deep space images were created and filmed. Miniatures in Space– We’re shown the use of miniatures in the film with respect to the scale and so on. Celestial Landmarks—Explore how the filmmakers used practical special effects informed by real scientific equations to give the illusion of real space travel for both the actors and the audience. As with past filmed-on-IMAX Nolan pictures, 'Interstellar' features alternating aspect ratios. The standard 2.39:1 is employed for dialogue-centric scenes, whereas the 1.78:1 ratio is doled out for all the exciting visual stuff. Aspect ratio changes can be jarring, but they aren't here. They flow quite well with the overall pacing of the story, so they're not overtly distracting. The Space Suits– Nothing too mind-blowing here, just a look at the space suits, how they really don’t differ too much from those used today as well as the practical fit for the actors.

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